Finding Common Ground on a Bus & in Prison


Last weekend Me2/Orchestra members went to Springfield, Vermont to perform for inmates at the Southern State Correctional Facility. Springfield is a two-hour ride from South Burlington, where we gathered in the high school parking lot to board a yellow school bus. Most of us had not spent much time socializing outside of rehearsal, so the bus ride was a chance to get to know each other.

Upon arrival we went through security and were fed a meal prepared by the inmates. We ate alongside two guards who kept us company, answered our questions, and generally kept an eye on us. After dinner we had a brief rehearsal to get warmed-up, and then the first inmates started to drift into the room. They arrived one by one and eventually a few entered in small groups. In total there were around 40 inmates who came to hear the orchestra play.

It was a “self-selected” audience; nobody was forced to attend the concert. Our audience members had signed-up in advance to attend. When we asked the inmates what they would otherwise be doing on a Saturday night, most said they would be playing cards, reading, or just doing nothing.

For the next hour, the visitation room at the Springfield prison was filled with 65 people who shared music, stories, and laughter. We performed music by Handel, Brahms, and Vermont composer David Hamlin, who attended the performance and answered questions from the inmates about his creative process.

The most memorable quote of the evening came from an inmate in the second row. The orchestra gave a lively performance of Mozart’s “Impresario” Overture.  When the applause died down, this man sitting up front exclaimed:

“That music is exactly how I feel every morning!

… (pause)…-9

 I mean, after I take my meds!” 

The room erupted in laughter. If the walls between musicians and inmates hadn’t been dismantled earlier, they certainly evaporated in that moment.

What more could we as musicians hope for in a performance? We played music by Mozart and an audience member related that music to his everyday experience. The fact that this audience member was a prisoner – and a person presumably taking medication to stabilize his mood – just made the moment all the more poignant.

—–

caroline whiddon
Caroline Whiddon

I’m Caroline, I’m the Executive Director of Me2/Orchestra, and this was my third visit to the Southern State Correctional Facility in the past three years. During each visit I learn something about myself – but more importantly, I learn something about my fellow human beings.

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